ALFP Lecture Series

Documentary Filmmaking in Asia: Hopes and Challenges

*This event has concluded.

With the rapid evolution of social media over the last decade, anyone can easily share information and ideas with people across the globe, and the position of traditional media has been changing in society. What, then, is the role of documentaries in Asia today? In this session, two leading documentary filmmakers from Bangladesh and Thailand who have delivered the voices of people at home and abroad through visual recording, as well as a Japanese media activist engaged in the education of young filmmakers in Myanmar, will discuss the possibilities of documentaries that function as archival footage and reportage. Before the panel session, there will be a screening of three short films from the below-mentioned panelists for the audience to feel the hopes and challenges of both the producers and the local people captured in the films.

Date: Saturday, January 25, 2020, 2:00–5:00 pm
● 2:00–3:30 pm — Film screenings
● 3:45–5:00 pm — Panel discussion and Q&A session
Venue: Iwasaki Koyata Memorial Hall, International House of Japan (5-11-16 Roppongi, Minato-ku)

● Tanvir Mokammel — Filmmaker / Writer (Bangladesh)
● Kong Rithdee — Filmmaker / Critic / Editor, Bangkok Post
● Sei Keiko — Writer / Curator / Media Activist

Films to be screened:
Bostrobalikara [The Garment Girls of Bangladesh] (Bangladesh, 2007 / 30 min.) *short ver.
Gaddafi (Thailand, 2013 / 23 min.)
No Fear For Mistakes (Myanmar, 2017 / 30 min.)

* Details can be found below

Moderator: Mario Lopez (Associate Professor, Kyoto University)
Language: English / Japanese (with simultaneous interpretation)
Coorganized by the International House of Japan and the Japan Foundation Asia Center
Admission: Free (registration required)
Registration: N/A

Tanvir Mokammel (Filmmaker; Writer / Bangladesh)

In his over three decades of filmmaking and writing, Mr. Mokammel has addressed critical issues plaguing his country. He has so far made six full-length feature films and fourteen documentaries, including Teardrops of Karnaphuli (2005), about the political conflict between the Chakma and other ethnic peoples of the Chittagong hills against the Bengalees, and
The Garment Girls of Bangladesh (2007), which follows girls and women working in the Bangladeshi garment industry with its dangers and hardships, and has received national and international awards. As a writer, Mr. Mokammel has written newspaper articles, poems, short stories and literary criticism. His books include A Brief History of World Cinema (Bangla Academy, 1987) and Grundtvig and Folk Education (Progoti Publishing House, 1997), a book on alternative educational ideas for the downtrodden and disadvantaged people of rural areas. He presently serves as director of the Bangladesh Film Institute and the Bangladesh Film Centre. (ALFP 2009 Fellow)

Kong Rithdee (Filmmaker; Critic; Editor, Bangkok Post)

Mr. Rithdee is a film critic and editor of the Arts & Culture section of the Bangkok Post. Having written about arts and culture for over two decades, he believes that writing on movies and art shall help people to understand the state of the world by way of creating a constructive dialogue between artists and viewers. He has also co-directed three feature documentaries
on the Muslim minority in Thailand. His second film, The Convert (2008), was screened at film festivals in Vancouver, Bangkok, Taiwan, Singapore, Jakarta and Yamagata in Japan. He is interested in the politics of moving images at a time when the world is saturated with visual information, and he is particularly eager to explore new possibilities since he straddles the role of a print journalist at a time when newspapers are believed to be on the way out. (ALFP 2010 Fellow)

Sei Keiko (Writer; Curator; Media Activist)

Ms. Sei worked as a video curator in Japan before moving to Eastern Europe in 1988 to do research on the condition of media and independent media. While there, she engaged in various projects with media activists, journalists and artists contributing to the change that had been taking place in the region. She also worked on the issue of independent media, media activism and media art in connection with the civil war in the former Yugoslavia, and broadened her activity in the Caucasus and Central Asia over the years. In 2002 she moved to Southeast Asia and started film education in Myanmar. In 2011, she helped launch the Wathann Film Festival, the first film festival in Myanmar. She teaches at numerous institutions around the world.

Mario Lopez (Associate Professor, Kyoto University)

Dr. Lopez teaches at the Center for Southeast Asian Studies, Kyoto University. His research interests include the Humanosphere Potentiality Index (HPI), which addresses the coexistence of environmental
sustainability and the welfare of human beings, as well as the transnational flow of nurses and care workers from the Asia Pacific region to others in response to the demand for such workers in super-aging societies. He has contributed to international academic journals, particularly on the subject of Filipina migrant workers in Japan. As an organizing member, Dr. Lopez has been involved in the Visual Documentary Project, which aims to supplement academic research on Southeast Asia and to build bridges between filmmakers and researchers working in the region. He has a Ph.D. from the Graduate School of Social and Cultural Studies, Kyushu University.

About the Films

Bostrobalikara [The Garment Girls of Bangladesh]
(Bangladesh, 2007 / 30 min.)

Script and Direction: Tanvir Mokammel

The film follows three girls working in the garment industry in Bangladesh—which employs around 2 million people, 85% of whom are women (at the time of filming). While up to ten million livelihoods depend on this industry, the picture is not all rosy. There have been about three thousand deaths in garment factories through fires and collapsed buildings. Wages are the lowest of any textile-producing country, and workers have a long list of complaints besides wages, health and safety. Is the industry prepared to sustain itself in the future and to face the many challenges international trade poses?

Gaddafi (Thailand, 2013 / 23 min.)

Director: Panu Aree, Kaweenipon Ketprasit, and Kong Rithdee

Of the 69 million people living in Thailand, 4% are Muslim, and they have both a Thai and an Arabic name. But Gaddafi Muhammad, a 14-year-old Muslim boy in central Bangkok, is an exception: he has only one name. His father, Chatchawal Muhammad, was (and maybe is) an ardent admirer of Colonel Muammar Gaddafi and named his son after his hero. However, following Gaddafi’s violent demise in 2011, the Thai Gaddafi’s mother becomes more worried than ever about her son’s unusual name. The film poses the age-old question: what’s in a name?

No Fear For Mistakes
(Myanmar, 2017 / 30 min.)

Director: Aung Thu

The film focuses on a guided tour of the town of Loikaw in Kayah State, Myanmar, by a Burmese Air Force pilot-turned Buddhist monk for his summer students from Sank village of Shan State. During the tour, which places the children at a Buddhist nun’s monastery and visits an elderly house run by Catholic nuns, complex aspects of the country are slowly revealed, while a hope may be hinted at. The film provokes heated discussions every time it is screened.

For further information:
ALFP Secretariat
c/o Program Department
International House of Japan
5-11-16 Roppongi, Minato-ku Tokyo 106-0032 JAPAN
Tel: +81-3-3470-3211 Fax: +81-3470-3170
E-mail: program* (Please replace * with @)